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Go to the
opening page of Patricia's "Musings"
Read more about Marc-Antoine Charpentier
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Choose another year in the "Roman" Cahiers
The "Roman" cahiers for 1672
Although some of the patrons who commissioned works in 1672 can be guessed
(the King,
Molière), no evidence links
Charpentier to the patrons who commissioned the two masses and the Te
Deum. In view of Guise links to the
Jesuits and to the
Theatines that would become public knowledge only a
few years later, these religious houses are likely candidates. I therefore
suggest that researchers be alert to references to activities at these two
houses that fit this chronology.
Date |
Work |
Performers |
|
cahiers VI to VIII |
|
| January 17 |
H 3 Messe à 8 voix
H 236 Elévation: O salutaris hostia
H 283 Domine salvum fac regem
H 524 Offerte pour l'orgue et pour les violons
H 73 Magnificat (for daily vespers) |
large ensemble and
miscellaneous smaller
combinations; organ
and violins |
April 17
Easter |
H 13 Prose pour le jour de Pâques
H 312 O filii
H 284 Domine salvum fac regem |
2 hc b |
|
The missing works at the end of cahier IX
may belong here |
|
|
cahiers X and XI |
|
| June? |
H 145 Te Deum à 8 voix
H 162 Exaudiat à 8 voix
(The allusions to "Dun" and to first and second choirs seem to date from
the 1690s) |
large ensemble |
June 16
Corpus Christi |
H 515 Symphonies pour un
reposoir
(To these symphonies should be added the "allemande en a mi la re au cahyer
XI," which was lost after the Mémoire of 1727 was drawn
up.) |
instrumental
ensemble |
|
cahier XV |
|
| July 8 |
H 494 La Comtesse d'Escarbagnas
and Le Mariage
forcé |
theater |
| September- October |
Les Fâcheux
(The manuscript is either lost, or else Charpentier did not compose
music for these performances as we have thought.) |
theater |
|
cahiers XII to XIV |
|
August 13? or
December 6? |
H 4 Messe à 4 churs
H 285 Domine salvum fac regem |
large ensemble |
|