The Ranums' Panat Times

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Choose another year in the "Roman" Cahiers

The "Roman" cahiers for  1672

Although some of the patrons who commissioned works in 1672 can be guessed (the King, Molière), no evidence links Charpentier to the patrons who commissioned the two masses and the Te Deum. In view of Guise links to the Jesuits and to the Theatines that would become public knowledge only a few years later, these religious houses are likely candidates. I therefore suggest that researchers be alert to references to activities at these two houses that fit this chronology.

 

Date

Work

Performers

cahiers VI to VIII

January 17 H 3 Messe à 8 voix
H 236 Elévation: O salutaris hostia
H 283 Domine salvum fac regem
H 524 Offerte pour l'orgue et pour les violons
H 73 Magnificat (for daily vespers)
large ensemble and
miscellaneous smaller
combinations; organ
and violins
April 17
Easter
H 13 Prose pour le jour de Pâques
H 312 O filii
H 284 Domine salvum fac regem
2 hc   b

The missing works at the end of cahier IX
may belong here

cahiers X and XI

June? H 145 Te Deum à 8 voix
H 162 Exaudiat à 8 voix
(The allusions to "Dun" and to first and second choirs seem to date from the 1690s)
large ensemble
June 16
Corpus Christi
H 515 Symphonies pour un reposoir
(To these symphonies should be added the "allemande en a mi la re au cahyer XI," which was lost after the Mémoire of 1727 was drawn up.)
instrumental
ensemble

cahier XV

July 8 H 494 La Comtesse d'Escarbagnas and Le Mariage forcé theater
September- October Les Fâcheux
(The manuscript is either lost, or else Charpentier did not compose music for these performances as we have thought.)
theater

cahiers XII to XIV

August 13? or
December 6?
H 4 Messe à 4 chœurs
H 285 Domine salvum fac regem
large ensemble