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Marc-Antoine Charpentier masterpage Word-Music Relations masterpage

 

Marc-Antoine Charpentier's Manuscripts

 

Manuscript "XLI" (at the Lilly Library, Bloomington, Indiana)

The newly identified autograph treatise by Marc-Antoine Charpentier: a bulletin board  Look here for new information, questions, or comments about manuscript "XLI."

Discovered at the Lilly Library: manuscript "XLI," an autograph theoretical work by Marc-Antoine Charpentier (late 1698) This is  a multi-sectioned presentation of how the manuscript was discovered, its contents and date, and the broader intellectual context into which it fits.

 

The Charpentier Mélanges (at the Bibliothèque nationale de France, Paris)

Comments on articles in the newly-published Actes of the Versailles conference on Charpentier's Autograph manuscripts, 2004. (These comments include several Musings on what we can learn from Laurent's Guillo's findings about the printed music paper used by Charpentier; two Musings on Thierry Favier's observations about Charpentier's handwriting; and one on Gaëtan Naulleau discussion of Charpentier's Sonate (H.548).

 "Order" in Charpentier's manuscripts: are they really "out of order"?

 What did cahiers 8, 9, 10 look like in Charpentier's lifetime?

 Some comments about C. Jane Gosine's article on Charpentier's handwriting

 A Roundtable on the Charpentier chronology (my planned answers to some puzzles that Catherine Cessac asked us to attempt to solve at the Charpentier conference in Versailles, 2004)

 The Mémoire of 1726 that inventoried Marc-Antoine Charpentier's manuscripts

 Re: Marc-Antoine Charpentier's autograph scores, known as the "Mélanges" or "Meslanges" : did he compose these pieces, or did he copy other peoples' music into these notebooks?

 A Musing on Laurent Guillo's article, "Les papiers à musique imprimés"

 Montaigne's choice of paper: does it shed light on Charpentier's practices?

On what did I base my conjectures about the papers used by Charpentier, post-1687?

 The watermarks of the papers used by Marc-Antoine Charpentier

 The treble clefs used by Charpentier: what can they teach us?

 The "gros cahier": what do its contents suggest?

 

The 1726 Mémoire (inventory) of his works (Mélanges)

 The Mémoire of 1726 that inventoried Marc-Antoine Charpentier's manuscripts

 

And some pages related to Charpentier's scribal practices:

The Wedding Contract as a Creative Process: The format of a typical notarial contract, and some parallels that can be drawn with the format of Marc-Antoine Charpentier's autograph manuscripts

a Musing on the handwriting in the Biblia Sacra in which someone named "Charpentier" twice wrote his name. It is not Marc-Antoine Charpentier's hand.


Note, readers may occasionally be linked to a similar page called html pages\manuscripts_charpentier.html. The links on that page are the same as of December 2, 2011, but nothing new will be added after that.