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Go to the
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Read Patricia on Word-Music Relations
Choose a different year in the "French" Cahiers
"French" cahiers for 1681
The work for November 4, highlighted in
purple and
identified in the 18th-century "Memorandum" as having been written for
Versailles, marks the beginning of Charpentier's commissions for the royal
court. (In 1682 and 1683 purple becomes the dominant color in this charts.)
Charpentier presumably is the haute-contre
highlighted in red.
Date |
Work |
Performers |
|
cahier 32 |
|
| late June? |
H 403 Mors Saülis et Jonathæ
"grand motet ou dialogue, pièce pour les
Jésuites en tragédie." This concludes with a text that is sung on
the fifth Saturday after Pentecost, and readings from Saul are part of the
liturgy for late June |
large ensemble |
|
H 250 Elevatio: Ascendat a te Domine |
bt 2 tr |
|
H 63 Ave maris
stella
for vespers |
2 d |
| |
cahier 33 |
|
|
H 82 Litanies
de la Vierge à 3 voix pareilles
for vespers; for lauds and matins of the feasts of the Virgin; recited
during meetings of confraternities of the Virgin |
hc t b |
| |
H 74 Magnificat
à 8 voix et 8 instruments
daily vespers (Dun's name seems to date from 1681 or later) |
large ensemble |
| November 4 |
H 180 Exaudiat
pour le roi à 4
"Exaudiat pour Versailles." "son
prélude est au cahyer 63," which -- like the repeated "si l'on veut"
-- was added in the 1690s. |
large ensemble |
|